too.much.eyes
a version of trinidad


.◎. or else / to: tumbleur: rodell warner ☛
arnaldo james & luis vasquez - intimacy
Brianna McCarthy & Rodell Warner - Cc: Everybody Sunday Express Classifieds - 24th January, 2010 (No. 3) — Cc: EverybodyClassified, Confidential - EverybodyCc: Everybody explores the notion of privacy in the public domain. The project engages two common local media: the personals that appear in the national newspapers and a form of guerrilla street advertising developed locally to promote public parties. The publication of these, sometimes explicit, personal ads in the national domain may be considered surprising, given the context of a conservative, post-colonial island community. Cc: Everybody captures these private bits of black and white content and reproduces them, verbatim, in a most public and colourful medium. Cc:Everybody presents and interrelates this contemporary dichotomy as erotic art.
Brianna McCarthy & Rodell Warner - Cc: Everybody Trinidad Guardian Classifieds - 8th February, 2010 (No. 5) — Cc: EverybodyClassified, Confidential - EverybodyCc: Everybody explores the notion of privacy in the public domain. The project engages two common local media: the personals that appear in the national newspapers and a form of guerrilla street advertising developed locally to promote public parties. The publication of these, sometimes explicit, personal ads in the national domain may be considered surprising, given the context of a conservative, post-colonial island community. Cc: Everybody captures these private bits of black and white content and reproduces them, verbatim, in a most public and colourful medium. Cc:Everybody presents and interrelates this contemporary dichotomy as erotic art.
Brianna McCarthy & Rodell Warner - Cc: Everybody Trinidad Guardian Classifieds - 8th February, 2010 (No. 3) — Cc: EverybodyClassified, Confidential - EverybodyCc: Everybody explores the notion of privacy in the public domain. The project engages two common local media: the personals that appear in the national newspapers and a form of guerrilla street advertising developed locally to promote public parties. The publication of these, sometimes explicit, personal ads in the national domain may be considered surprising, given the context of a conservative, post-colonial island community. Cc: Everybody captures these private bits of black and white content and reproduces them, verbatim, in a most public and colourful medium. Cc:Everybody presents and interrelates this contemporary dichotomy as erotic art.
Brianna McCarthy & Rodell Warner - Cc: Everybody Trinidad Guardian Classifieds - 8th February, 2010 (No. 4) — Cc: EverybodyClassified, Confidential - EverybodyCc: Everybody explores the notion of privacy in the public domain. The project engages two common local media: the personals that appear in the national newspapers and a form of guerrilla street advertising developed locally to promote public parties. The publication of these, sometimes explicit, personal ads in the national domain may be considered surprising, given the context of a conservative, post-colonial island community. Cc: Everybody captures these private bits of black and white content and reproduces them, verbatim, in a most public and colourful medium. Cc:Everybody presents and interrelates this contemporary dichotomy as erotic art.
From “PhotoBooth” by Rodell Warner — An inquiry into the new phenomenon driven by our intensifying ability to exchange and circulate self images has driven an inquiry into one’s ability to capture and present one’s image and present the self as one wants to be seen. In the context of Trinidad & Tobago’s Erotic Art Week 2009 and 2010, Rodell pushed this inquiry into the realm of how people imaged themselves as erotic, and how willing they might be to share these images. He created “the Photobooth”; a small, temporary studio space that provided visitors with privacy and a remote control that triggered a stationary camera. With their signed permission, the images that participants captured of themselves were exhibited to the public the following night. “the Photobooth” will now become a touring installation work.
From “PhotoBooth” by Rodell Warner — An inquiry into the new phenomenon driven by our intensifying ability to exchange and circulate self images has driven an inquiry into one’s ability to capture and present one’s image and present the self as one wants to be seen. In the context of Trinidad & Tobago’s Erotic Art Week 2009 and 2010, Rodell pushed this inquiry into the realm of how people imaged themselves as erotic, and how willing they might be to share these images. He created “the Photobooth”; a small, temporary studio space that provided visitors with privacy and a remote control that triggered a stationary camera. With their signed permission, the images that participants captured of themselves were exhibited to the public the following night. “the Photobooth” will now become a touring installation work.
From “PhotoBooth” by Rodell Warner — An inquiry into the new phenomenon driven by our intensifying ability to exchange and circulate self images has driven an inquiry into one’s ability to capture and present one’s image and present the self as one wants to be seen. In the context of Trinidad & Tobago’s Erotic Art Week 2009 and 2010, Rodell pushed this inquiry into the realm of how people imaged themselves as erotic, and how willing they might be to share these images. He created “the Photobooth”; a small, temporary studio space that provided visitors with privacy and a remote control that triggered a stationary camera. With their signed permission, the images that participants captured of themselves were exhibited to the public the following night. “the Photobooth” will now become a touring installation work.
From “PhotoBooth” by Rodell Warner — An inquiry into the new phenomenon driven by our intensifying ability to exchange and circulate self images has driven an inquiry into one’s ability to capture and present one’s image and present the self as one wants to be seen. In the context of Trinidad & Tobago’s Erotic Art Week 2009 and 2010, Rodell pushed this inquiry into the realm of how people imaged themselves as erotic, and how willing they might be to share these images. He created “the Photobooth”; a small, temporary studio space that provided visitors with privacy and a remote control that triggered a stationary camera. With their signed permission, the images that participants captured of themselves were exhibited to the public the following night. “the Photobooth” will now become a touring installation work.
A model wearing a design from PILAR by Anya Ayoung-Chee stops a police vehicle on a street in Woodbrook, Port of Spain in this July 22, 2010 picture. The fashion show was part of the second annual Erotic Art Week and was held to acknowledge people who walk the streets as some areas in Woodbrook are known for prostitution. Erotic Art Week ends on July 31, 2010. (photo: REUTERS/Andrea De Silva) via toronto sun
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